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On Foot

Who is this, or what, whose weightless
Shadow, walking, runs ahead, then
Trails, on the asphalt, grass, concrete,
Now this gravel I press underfoot?
Who and what? Some compound
Of generations gone – new things
Added, a transfer perhaps to others
To come – a being always in transition,
From and to, constant only in crossing
This or that roadway, kerb, paving,
Turning moment into moment, as
Corner after corner, to and from the sun.
And in this new daylight everything that is
Is visible, or so it seems. The colours
Thrown by every bush, stem, tree,
Blare like traffic, and the cars flower
In their turn – red, yellow, blue –
And pass in the same gathering festival
Of movement, of actuality. So much
Exuberance! Flowers, people, cars:
Every living, mobile, existent thing
Cavorts its moment of emergence
Into being – flashes its division
From darkness, its departing shadow.
So do I walk – matter amid the material –
And turn homeward. But there is, in me,
Something other, a living rupture
I almost heal, joining in feeling,
Perception, thought, all this renewing,
The general renouncing of the cold
And dark. Can the flickering of mind
Truly match this shifting play of light
On these new leaves? How bright it is
This morning! – catching all in stillness
And in motion, vivid oranges on one tree,
Small white blossom drifting from the next.
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Harold Jones is a New Zealander, educated at Cambridge University, where he was awarded an Exhibition to read English. His poetry has been widely published in UK and NZ literary journals. He has been a prize-winner in national UK and NZ poetry competitions, and, as a lyricist, in the UK Songwriting Contest, the largest such event in the world. A selection of his work in AUP New Poets Four (Auckland University Press, 2011), drew the UK review, “this excellent poet, a kind of Ted Hughes crossed with Bukowski,” with a further selection, Curriculum Vitae (Xlibris, 2014), reviewed in NZ as “downright incredible.” His work has won the acclaim of pre-eminent critics and poets: among them, Al Alvarez, “I like the elegance and control, the drive to say something rather than just to cut a fashionable figure," and Ted Hughes, “I hear a real voice, a real movement of mind cutting through resistances.” In the US his poems appear in Merion West and VoegelinView.

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