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An Aspiring Architect Goes to Washington

After Dana Gioia
He pondered the architecture
when he visited Washington,
pondered its form and its meaning.
He had grown tired of the ugly post offices
and the practical, functional, tasteless
government buildings back home,
housing bureaucrats—depressing structures—
generic-brand, damning, efficient.
I am a hapless cog in their expedient wheel.
In DC, he ascended the steps
of that Greek, Doric temple
where the Great Unifier sits
and grants all access to his throne.
He could see, too, the tomb of Cincinnatus,
and he heard the ghost of Luther
echoing through Washington’s temples—
frightening, overwhelming;
beckoning him to participate, think.
Half a mile away now, the J. Edgar Hoover Building
squatted guardedly, office doors locked, tight.
Brutalist architecture. Disconcerting angles.
Alienating, empty, surveillance windows.
He remembered its dehumanizing echoes
from all the way back home.
Of the people, by the people, for the people,
or governed by secret police?
Incarnate being, or careless customer?
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Ethan McGuire is a writer and healthcare cybersecurity professional whose essays, fiction, poetry, reviews, song lyrics, and translations have appeared in Blue Unicorn, The Dispatch, Emerald Coast Review, Literary Matters, The New Verse News, The University Bookman, Voegelin View, and many other publications. Ethan is a contributing editor at New Verse Review and the author of two poetry chapbooks, Before Apokalypto and Songs for Christmas. His debut book-length poetry collection, Apocalypse Dance, will be released in 2025 by Wipf & Stock. Ethan grew up in the Missouri Ozarks, lived in the Florida Panhandle on the Gulf of Mexico for twelve years, and is currently settled in Fort Wayne, Indiana with his wife and their children. To find Ethan, visit his website TheFlummoxed.com.

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