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B Western

Tell-tale signs, good omens once,
now crumble to coincidence.
The crippled old-timer, propping up the bar
in Nazareth (rank sawdust, stained spittoon),
leered, claimed to recognise the scarred face
on the wanted poster, mumbled
something about a settlement on the desert’s
rim, a town called Dark Tower.
He may have lied, but I needed some lead
to follow into the bad lands.
The prairie becomes dreary after forty days:
rock and tussock, one slimy river.
In dreams under wide skies I pass,
stump-rider, through broken towns,
home to tumbleweed and the wind,
the disconsolation of coyotes.
I question why I set out;
why I keep on keeping on.
A vulture circles, wheels away.
I know this lightning-blasted tree.
Then suddenly in front of me the desert,
houses, a swinging sign: Dark Tower.
I dismount, hirple along the single,
silent street. He stands at the far end,
the long scar livid in the dying light.
I call to mind the faces of old friends –
Black Bart PO8, Carson, The Kid –
those whose trails ran out years ago.
His smile shows he knows my thought.
Distance closes slowly like a door.
He’s the last of the fast guns.
I could drop and roll and draw
and fire. But of course I shan’t.
The first move must be his;
that’s how it is. His hand blurs;
my wrist flicks; the derringer roars.
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Harry Ricketts is a poet, biographer, editor and essayist. Born and brought up in England, he lives in Wellington, Aotearoa, New Zealand where he taught for many years in the English Programme at Te Herenga Waka Victoria University of Wellington.

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