Skip to content

A Note to William Carlos Williams

“No ideas but in things” – but poems
Don’t exactly deal in things.
More images perhaps? That is,
The thing transformed, or in a new light,
As Monet’s Nymphéas aren’t quite lilies,
Are they? Or those white dashes
On King Philip’s tunic, which
Velázquez daubed with lordly
Near-indifference, as if to show
He too had kingly grace and power.
The closer you look at “things”,
At least in paintings, the more they
Seem to dissipate, become
More abstract, more like elements.
Take your red wheelbarrow, is
That a “thing”? I see it more
As a bold brush stroke
Part of a composition
(“Compose!” you said. “Invent!”)
But also…they are more than things,
These images: they vibrate in the mind,
And take up residence, benign
House-guests or guardian spirits
To reconcile (your word again) us
To the world, ourselves.
Avatar photo

Harry Eyres has become one of the most eloquent advocates of the worldwide Slow movement. Having worked for leading newspapers and magazines as a theatre critic, wine writer and poetry editor, in 2004 he created the Slow Lane column in FT Weekend. Slow Lane (which ran until 2015) proposed a pause for thoughtful enjoyment of the often uncostly and uncostable pleasures and values which make life worth living. He has published a volume of poetry, Hotel Eliseo (Hearing Eye): Vernon Scannell praised it in the Sunday Telegraph as “an enjoyable collection of consistent accomplishment,” describing Eyres as “a mature poet…who has forged a style, pared down, cleanly chiselled, and…admirably suited to his purposes.” He gives regular poetry readings at various venues in London including The Poetry Café. Eyres is also the author of The Beginner’s Guide to Plato’s The Republic (Hodder & Stoughton), the memoir Horace and Me: Life Lessons from an Ancient Poet (Bloomsbury and Farrar, Straus and Giroux: short-listed for the PEN/Ackerley Prize in 2014), and several books on wine. From 2012-5 he was a Senior Fellow at the European Space Policy Institute in Vienna: out of this work came Seeing Our Planet Whole: A Cultural and Ethical View of Earth Observation (Springer). He lives in London, writes about wine (he is wine columnist for Country Life magazine, and a columnist for The World of Fine Wine), culture and politics (for The New Statesman) and enjoys playing tennis and the piano.

Back To Top