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Incipit exire qui incipit amare.
Exeunt enim multi latenter,
et exeuntium pedes sunt cordis affectus:
exeunt autem de Babylonia.

(He begins to leave who begins to love.
Many the leaving who know it not,
for the feet of those leaving are affections
and yet, they are leaving Babylon.)


—St Augustine Enarrationes in Psalmos 64.2

 

 

We took a number of photos at the Eric Voegelin Society meeting in Toronto, September 2-6, 2009. See them Here.

 

 

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  That the young may love the truth. . . .

 

NEW

Resistance to Ennui and Angst
Glenn Hughes concludes his analysis of T.S.Eliot's Four Quartets: "Eliot's spiritual vision . . . [is] a poetic act of resistance to those elements of modernity that, in denying and eclipsing the truth of timeless reality, [have provoked] the ennui and angst for which the twentieth cen­tury is so famous . . ." Read this week part 4 of "A Pattern of Timeless Moments: T.S.Eliot's Four Quartets."

Securing the Classic Idea of Liberty
Eric Voegelin looks at Montesquieu, a thinker well-known to the US Founding Fathers: "[He avoids] the brutality of reasonable man, who believes that his own standards define the ideal man and that everybody else has to be transformed in his image," and, appropos of foreign relations, "[He] might be read with profit by the incurable provincials who believe that a system of government that has worked in one country is a panacea for the evils of the world." Read this week "Montesquieu–The Elements of Political Liberty."

"A Right Use of Language"
Sylvie Courtine-Denamy continues her wide-ranging appraisal of Eric Voegelin and Simone Weil, revealing remarkable parallels: "According to Weil 'the art of living' is intimately related to 'a right use of language,' and "She identifies the Devil as the source of the difference between . . . the real and the imaginary in the spiritual life." This week read part 2 of "Hunting the Devils: Simone Weil and Eric Voegelin."

A New Syllabus of Errors
We are happy to announce the return of Scott Segrest who offers us a clear and compelling analysis of the thought of Richard Rorty, showing along the way how Eric Voegelin anticipated him. Rorty exemplifies the influential Progressive movement today, and yet: "Reading Rorty, you get the feeling he was bored by philosophical debates and that his constant verbal provocations were in part an effort to keep himself entertained." Read this week "Richard Rorty and the Core of Progressivism."

To see what has already appeared at VoegelinView, browse Our Past Headlines

on the Inside

". . .what to celebrate and what to mourn"
Poetry Editor Thomas D'Evelyn has found us another Adam Zagajewski poem, one set on a Friday on this date, January 27th, a poem in which he contemplates observing both Mozart's birthday and Holocaust Memorial Day. Read in Poetry "January 27."

Pope Benedict Reprimands the US Government
It has been brought to our attention that a few days ago Pope Benedict gave a speech that can only be construed as a reprimand to the present administration in Washington. Read in Commentary "The Pope Reprimands the Obama Administration."

Recovering the Participatory Mode
We welcome Sarah Shea to VoegelinView. She reviews for us Lee Trepanier and Steven F. McGuire's Eric Voegelin and the Continental Tradition: "Overall the book is . . . a hopeful step forward in acknowledging Voegelin as an active participant in the great philosophical conversation." Read this week in Book Reviews "Diagnosing Modernity."

Immanentizing the Eschaton
Earlier this week we began Eric Voegelin's analysis from his first book in America, The New Science of Politics.  He wrote there of the "immanentist hypostasis of the Christian Eschaton." Fifty-odd years ago, some students with a camera responded with a sense of humor, and we can see the result today in The Lighter Side.

Last Updated on January 26, 2012
 
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Glenn Hughes

A Pattern of Timeless Moments
T. S. Eliot's Four Quartets –Part 4

by Glenn Hughes

 

Glenn Hughes is Professor of Philosophy at St. Mary’s University, San Antonio. The present essay, "A Pattern of Timeless Moments," is taken from his latest book, A More Beautiful Question. This excerpt appears with permission and is presented here in four parts.

 

Transcending Christian Symbolism

 

Beyond their Christian dimension of symbolization, the poems of the Quartets draw explicitly from Buddhist, Hindu, and Platonic or Neoplatonist traditions and language, and their evocations of mystical and meditative ex­periences are clearly intended to suggest a global range of references.

 

What seems obvious is that Eliot wanted to speak in the Quartets to the universal experience of human existence as situated in the in-between of time and timeless meaning and knew that he could do so only through a poetic language that both avoided a deliberately liturgical use of Christian language and employed a universal range of symbolic articulations of human-divine encounter.

 

He is writing of every person's existence and participation in his­tory. Therefore he must establish the poem on the basis of experiences rec­ognizable to any open mind and then show, through the employment and correlation of symbols and phrases from a multitude of religious traditions, how these speak to and illuminate such experiences.

 
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from The Collected Works

Eric  Voegelin

Montesquieu
The Elements of Political Liberty

 

The Climate in 18th Century England and France

The French revolt paralleling Hume's critique of reason came through Montesquieu [Charles-Louis de Secondat, Baron de La Brède et de Montesquieu–ed] (1689-1755).

 

Again a new set of problems was opened that could not be covered by the Myth of Reason or the contract theory of government. But here the parallel ends, for the approach of Montesquieu differs as widely from that of Hume as the French political situation differed from the English.

 

Hume was the philosopher of a settled society that had passed through a revolution. A splenetic humor is creeping up, tempered in Hume by a natural complacency; but through the veneer of his conformism and skepticism one can sense other possibilities: the century of Hume is the century of Beckford and his Vathek.

 

The France of Montesquieu is full of unrest presaging a revolution; the expectancy of movement, the smell of unknown horizons, is as characteristic of Montesquieu as a certain musty smell of stagnation is peculiar to Hume.

 
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Sylvie Courtine-Denamy

Hunting the Devils

Simone Weil and Eric Voegelin–Two Paths to the Same Truth–Part 2

by Sylvie Courtine-Denamy 

Sylvie Courtine-Denamy is the author of books on Hannah Arendt and Simone Weil, among them being Three Women in Dark Times: Edith Stein, Hannah Arendt and Simone Weil and her most recent book, Simone Weil. La Quête de racines célestes . She is also a translator of philosophical works into French, including those of Hannah Arendt and Eric Voegelin. This essay appears here in three parts.

The Cure for Uprootedness

 

The disease of uprootedness is in fact, for Weil, a spiritual one. “We suffer from a lack of balance, due to a purely material development of technical science. This lack of balance can only be remedied by a spiritual development in the same sphere, that is, in the sphere of work.”33

 

This imbalance is, moreover, the result of our failure to understand the “Needs of the Soul,” which is the title of the opening chapter of The Need for Roots. For Weil, we may discover what these needs are by analogy with the needs of our bodies and they, too, must be satisfied in order that the soul should not die.

 

These needs are “sacred” inasmuch as they are those of a human being. To each of these needs corresponds an obligation which testifies indirectly to the bond which unites man “with a reality.”34

 
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scott_segrest_head_bwsm

Richard Rorty and the Core of Progressivism

  by  Scott Segrest

 

Scott Segrest is Instructor in Political Philosophy at  University of Alaska, Anchorage. He is the author of America and the Political Philosophy of Common Sense, University of Missouri Press, excerpts from which have appeared here at VoegelinView. He is also an editor at VoegelinView.This essay appears with permission.

 

The Religious Character of American Progressivism

The analysis of progressivism given by Eric Voegelin six decades ago in his New Science of Politics remains illuminating even today.  The animating center of progressivism, he said, is the Christian idea of history gutted of spiritual substance and turned from its original destination.

 

The original idea, classically articulated by St. Augustine, was that the human history that really counts–the history of those who love and follow God–is a pilgrim’s progress to a perfect city, a journey with no map and no guide but God himself to a mysterious place not of this world. 

 

The great modern ideological formations, Voegelin said –progressivism, utopianism, and revolutionary activism–are all moved by a similar vision, but God has dropped out of the picture, and the process has become a quest for political perfection in this world, to be achieved not by God’s but human hands. 

 
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